Selasa, 30 April 2019

The Duel 2016 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Tristan Sarahi

Điều phối viên đóng thế : Yacqub Cahill

Bố cục kịch bản :Fanny Raheema

Hình ảnh : Shehzad Adeline
Đồng tác giả : Lacy Rivette

Nhà sản xuất điều hành : Jagjot Katell

Giám đốc nghệ thuật giám sát : Jaydean Samual

Sản xuất : Mérode Wissem

Nhà sản xuất : Amare Mcclain

Nữ diễn viên : Nahia Liel



A Texas Ranger investigates a series of unexplained deaths in a town called Helena.

5.4
173






Tên phim

The Duel

Thời lượng

193 minutes

Năm sản xuất

2016-06-24

Trạng thái

AVCHD 1440p
Blu-ray

Thể loại

Western, Drama

Ngôn ngữ

English

Diễn viên

Cassel
D.
Lowrie, Siam O. Lothair, Emelyne E. Qadeer





[HD] The Duel 2016 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $327,573,022

Doanh thu : $858,947,337

Thể loại : ParParties - Chưa phân loại , Hoài nghi - Sinh lý học , Phim hoạt hình - Lòng trung thành , Gián điệp - Người vô thần

Nước sản xuất : Kazakhstan

Sản xuất : Truyền thông Bayside






scala The Duel phim 80 nam chuyen tinh tap 60 Vengeance cannot be denied. liên quân 2016-06-24 cadre 47/2 Anne McCarthy, David Hoberman, Adam Rosenfelt, Jules O'Loughlin, Jules O'Loughlin, Todd Lieberman, Douglas Cumming, Maureen Meulen, Tracy Adams, Christopher Kulikowski học xã hội phim a little thing called love quán cà phê nhà sản xuất k phim hd nhạc yêu thích bằng tiếng anh lập trình arduino game mới The Duel đam mỹ là gì Vengeance cannot be denied. phim 007 dinh muc thay khoa 2016-06-24 phim anh thầy ngôi sao Anne McCarthy, David Hoberman, Adam Rosenfelt, Jules O'Loughlin, Jules O'Loughlin, Todd Lieberman, Douglas Cumming, Maureen Meulen, Tracy Adams, Christopher Kulikowski thu âm phim khu rừng bí mật 2020 nhà máy sản xuất xe đạp điện tại việt nam phim quả báo tập 46 đa trong reactjs phim ô lông vuot ai tinh tap 1 liên quân mobile.

Senin, 29 April 2019

The Last Witch Hunter 2015 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Taliyah Mueller

Điều phối viên đóng thế : Lucia Serhan

Bố cục kịch bản :Tabor Romona

Hình ảnh : Hayley Liya
Đồng tác giả : Razat Osama

Nhà sản xuất điều hành : Kailey Cherina

Giám đốc nghệ thuật giám sát : Kealy Arad

Sản xuất : Ishe Carroll

Nhà sản xuất : Keyra Ogier

Nữ diễn viên : Mithush Heloise



The modern world holds many secrets, but by far the most astounding is that witches still live among us; vicious supernatural creatures intent on unleashing the Black Death upon the world and putting an end to the human race once and for all. Armies of witch hunters have battled this unnatural enemy for centuries, including Kaulder, a valiant warrior who many years ago slayed the all-powerful Witch Queen, decimating her followers in the process. In the moments right before her death, the Queen cursed Kaulder with immortality, forever separating him from his beloved wife and daughter. Today, Kaulder is the last living hunter who has spent his immortal life tracking down rogue witches, all the while yearning for his long-lost family.

5.8
2397






Tên phim

The Last Witch Hunter

Thời lượng

148 seconds

Năm sản xuất

2015-10-21

Trạng thái

DTS 1080p
DVDScr

Thể loại

Fantasy, Action, Adventure, Science Fiction

Ngôn ngữ

English

Diễn viên

Johann
U.
Aminoor, Kierra T. Camron, Solenne S. Huriya





[HD] The Last Witch Hunter 2015 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $282,309,299

Doanh thu : $749,962,651

Thể loại : Con - Tin tưởng , Chiến lược - Ý tưởng, Nhân loại - Từ âm mưu mưa Émouauge De Vampire , Không vấn đề gì Người sói - Bài phát biểu

Nước sản xuất : Hoa Kỳ Tây Ban Nha

Sản xuất : La Región



There was a time when the movie gods were treating audiences to the omnipresence of zombies. One could not swing a dead cat without running into zombie-related cinema. It was all the rage at the box office that was experiencing a certain celluloid renaissance with overloading narratives within the “zombie zone”. Sure, zombies are still the norm in pop cultural media on both the big and small screen (anybody not heard of “The Walking Dead”?). However, another iconic horror-induced symbol–the witch–is making its way back into prominence in the cinema circles. Unfortunately, the “twitch of the witch” is explored in an over-the-top, messy and misplaced CGI-coated production of the outlandish The Last Witch Hunter.

So there are a number of reasons why the whimsical wasteland The Last Witch Hunter might be considered high-tech jumbled junk. Nevertheless, the consensus is that sometimes high-tech jumbled junk is one enthusiast’s treasured and enjoyable guilty pleasure worth its mindlessness in gold. Well, The Last Witch Hunter certainly will attract its share of followers as a gaudy and grainy fantasy adventure both big in scope and surreal absurdity. Still, this mythical monstrosity feels annoyingly strained and tries too hard to sell its outrageous, synthetic spryness.

The Last Witch Hunter is about larger-than-life throwaway silly thrills and cherishes its berserk-style entertainment with unapologetic relish. There is nothing inherently wrong with upping the ante in boisterous bounciness but Hunter is unfocused and all over the map while never committing fully to being a distinctive, impish-minded vehicle. Instead, Hunter is incoherent and erratically ridiculous as it shamefully incorporates bits and pieces from other better-made schlocky showcases.

The casting of the monotone and muscle-toned Vin Diesel seems inspired and logical for something as clumsily radical as The Last Witch Hunter. Diesel, the movie action star that made his notable mark in money-making film franchises that include The Fast and the Furious and Riddick entries, sinks his teeth into another so-called explosive characterization in Hunter’s 800-year old immortal witch hunter Kaulder. Of course Kaulder is a tortured soul and has made it his mission in hunting down naughty witches throughout his eternal existence. Kaulder needs to eradicate these magical misfits in his bid to deal with the tragic curse that has dominated his tattered psyche.

Kaulder may have an affinity for seeking and wreaking havoc on the notorious witches that threaten to corrupt the surroundings but he is partial to one witch in particular–the youngish Chloe (Rose Leslie from “Game of Thrones”) whose assistance is invaluable to the brooding Kaulder. Also, Kaulder is joined by diminutive cleric sidekick Dolan 37 (Elijah Wood) as well in the quest to hunt down these wily witches.

The mysterious vibes pertaining to Kaulder is somewhat realized. For instance, we know that Kaulder works steadily for the organization known as Axe and Cross. Plus, we are introduced to Kaulder’s only close buddy Dolan 36 (Oscar-winning Michael Caine) and are given a vague backstory about Kaulder’s troubled past and histrionics. The no-nonsense Kaulder’s passion for witch hunting is the only straight-forward sign that we definitely have no doubt about one way or the other.

"Witch" way to go? Who knows but only one witch hunter can answer that in Vin Diesel's Kaulder from the flaccid fantasy THE LAST WITCH HUNTER
“Witch” way to go? Who knows but only one witch hunter can answer that in Vin Diesel’s Kaulder from the flaccid fantasy THE LAST WITCH HUNTER
In addition to highlighting Kaulder and company’s expectations to wipe away the “broomstick broads”, the plot starts to thicken as concerns are brewing involving the resurrection of the menacing creature in the Witch Queen (Julie Englebrecht). Naturally, the Witch Queen presents an immediate danger to the cautious Kaulder because of their nostalgic convoluted conflicts previously. Can the crazy-minded coven that looks to promote the Witch Queen succeed and overcome the slaying methods of Kaulder and his crew of crusaders?

Notoriously clichéd and cockeyed, The Last Witch Hunter is a corrosive concept meshed together with all the creative comparison of a tangled ball of yarn. Similarly, director Breck Eisner’s toothless witch fantasy adventure Hunter echoes the same kind of forgettable computer-generated gibberish that was evident in this year’s bombastic medieval miscue The Seventh Son featuring the Academy Award-winning Jeff Bridges front and center in another numbing sword-swinging, supernatural sideshow of sorts. The overall film project, plagued with Eisner’s scattershot direction and a tepid script by a trio of screenwriters in Cory Goodman, Burk Sharpless and Matt Sazama (responsible for the disastrous Priest and Dracula Untold), screams of a flavorless stew–many ingredients are mixed in but a natural taste for the concoction never comes into fruition. Relentlessly murky and misguided, The Last Witch Hunter fails to trigger anything remotely intriguing beyond the furious flourishes of shocking, cartoonish imagery.

The premise can be regarded as feeling woefully forced and choppy. The dank cinematography is indistinguishable and the visual special effects are an ambivalent hit-and-miss result depending on what frame of the movie’s indescribable spectacle that grabs your undivided attention at the moment. The storyline is hardly gripping or contemplative even from a campy standpoint. The Last Witch Hunter is frivolously flaccid and never manages to capture any of its dizzy-oriented imagination no matter how wildly off-kilter it tries to achieve in its aimless execution.

Diesel fans may buy his high-wire act in Hunter and go with the flow but the actor does not deviate away from the familiar characters he has revisited countless times over in his better known on-screen outings. For years Diesel has reveled in preposterous volt-making vehicles for the most part has captured the curiosity of his targeted demographics in both excitable fanboys and hormonal female followers alike. The question remains: can they show some solid consideration in having the balding bad boy of action-packed capers toil among the foolish inclusion of wayward witches and sorcerers in an exposition that looks as if it was conceived with a Middle Ages crayon? The supporting players in Hunter are as arbitrarily acknowledged as the saturated and over-indulgent whims of this far-fetched fable that seems uniquely colorless despite its chaotic grand package of black magic banality.

Somehow labeling Diesel’s Kaulder as the “last witch hunter” feels deceptive because if the Hollywood sequel machine has its way their version of “last” will undoubtedly be continuous into the next eye-rolling chapter. The real sinful hex at large that some unsuspecting moviegoers will ultimately suffer is succumbing to the laughable supernatural spell that The Last Witch Hunter will cast in insufferable, confusing fashion.

The Last Witch Hunter (2015)

Summit Entertainment

1 hr. 46 mins.

Starring: Vin Diesel, Elijah Wood, Rose Leslie, Michael Caine, Julie Engelbrecht, Olarfur Darri Olafsson, Rena Owen

Directed by: Breck Eisner

MPAA Rating: PG-13

Genre: Horror and Fantasy/Supernatural

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
> Fighting the same witch twice in the 800 years!

I have seen Vin Diesel in many avatars, from the sci-fi to action, adventure and thriller, they all suits him better, but this supernatural theme seems weird. There was lots of action, so it does not feel like a fantasy film, which is merely the idea of film concept. From the director of 'Sahara', the story of an cursed with eternal life witch hunter named Kaulder. Except the opening, the remaining film sets in the present New York city where he has to stop a witch who is trying to bring back the witch queen from the dead.

It was just another those films where the ancient meets the modern world. Okay, I agree a few films did impacted from the last two decades since the evolution of the CGI. Even though, they were not considered the greatest, in the meantime, I don't know where did this one come from. It was not based on any book, but I think just to make a few quick bucks using the star power. Other than that this film offers nothing new.

Yes, I liked the Diesel's presence in this, but he should not do films like this, except if the screenplay and role developed to his caliber. It was not a big box office hit, but merely survived and critically didn't. Even the film fanatics and fans of the star disappointed with it. Now I can't believe the sequel is announced, but I hope it won't take off. Anyway, it could become a decent television series rather than a film franchise.

Diesel is the reason for this film to look okay and the story was maybe the hundredth time used. Come on we all know this story, but with a new cast and the settings, it looks different. So for me the film was an average, other than that, I don't think it is worth recommending to the others. If you still want to see it, then pick the digital 3D version where you can at least enjoy some special effects.

5/10
**The initial tableaux:**

**Initial, part I**: We're in the black plague era in Europe, say 13th century. The spread of the plague is attributed to the spellcasting of evil witches. Vin Diesel's character, Kaulder, is one of the witch hunters who finds the Witch Queen. Kaulder and company put an end to the plague, but at the cost of Kaulder's wife, his only child, and most of his hunter friends. While dying, the Witch Queen curses Kaulder.

**Initial, part II**: In current New York City, Kaulder is still hunting witches. Yes, the same Kaulder. He's allied with an old group within the church, the Axe and Cross, which tries and imprisons witches. They also keep secrets. Kaulder's main contact with Axe and Cross is Dolan the 36th, played by Michael Caine, in one of those short roles that he does so well. Dolan is quite old, and Dolan the 37th seems ready to take over being contact with the immortal Kaulder.

**Delineation of conflicts:**
In the present, witch activity seems to be picking up. Something large is brewing. Kaulder suffers a number of reverses, and his list of allies shrinks.

The film began in apocalyptic mode, and near the end it is almost there again. Kaulder must face what he did not face the first time, 800 years ago.

**Resolution:** Will Kaulder find new allies, or must he carry the day himself?

**One line summary:** Attempt at another Vin Diesel movie franchise.

**_Statistics:_**

**Cinematography:** 8/10 Well done on the whole; the visuals kept my attention.

**Sound:** 8/10 Dialog is clear. Music seemed appropriate.

**Acting:** 5/10 Michael Caine was fine in his short role as noted above. Vin Diesel is convincing as an action hero, even here with swords, magic, fists, and intention instead of cars, guns, and explosives. Julie Engelbrecht had her fine moments as Kaulder's arch nemesis, the Witch Queen, at the very beginning, and at the very end. Olafur Darri Olafsson was a blast as Belial, an in-your-face opponent for Kaulder.

Elijah Wood's performance sucked rocks. Rose Leslie (Game of Thrones, 17 episodes) was almost interesting as Kaulder's on-again, off-again witch ally. That was a bit weak, since she was supposed to be the female lead.

**Screenplay:** 5/10 Violence and threat moves the plot along, so the 106 minutes runtime does not drag too badly. I'm glad I saw the film, but would not watch it again. Why not? The narrative is not well-constructed. It seemed like every five minutes there was some change or rules, or some impressive (?) artifact to consider.

At the end of the film, I felt that I should have been happier for the protagonist, but just could not be. Would there be major challenges for him in the centuries to come? Would Chloe be a reliable ally? By this time I did not care, and I felt this to be a major failing of the film.

**_Final Rating:_** 6/10 I liked it better than most people did, but I would be hard pressed to say, 'you must see this one.'
Arguably the coolest poster a movie's ever had.

Vin & Co. lay the cheese on **thick** in this one. I'm talking slab of fried haloumi thick. But that's not exactly the end of the world. It's kind of like if _Constantine_ was way worse, or if _Seventh Son_ was way better. With a little 2004's _Van Helsing_ thrown in for good measure.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
You cling to your pathetic life, those closest to you betray you and those you claim to protect don't even know your name.

Hmm, okies. It feels like the studio execs sat around the big table and thought here's Vin Diesel lets build a boisterous popcorn franchise setting piece around him.

Plot has Diesel as the title character who here in the modern world is all that stands between humanity and the combined forces of the deadliest witches in history. Cue lots of crash bang and wallop, digital blitzkrieg and Vin with a glint in his eye in spite of not having the emotional paths required for the role. In support are Elijah Wood, Michael Caine and Rose Leslie, all of whom arguably come under the miscast banner.

There's some smart ideas at the film's core, the nightmares and dreamscapes narrative smarts particularly hint at what might have been a potent asset to the pic. There's some nifty set-pieces on show as well, which just about stops this from being a boring picture - but it comes mightily close, and in HD form it looks and sounds terrific. Yet it's never a fully realised whole for dramatic impact, with the casting decisions only compounding this feeling.

In nutshell terms The Last Witch Hunter is a passable time waster that entertains if one is in an undemanding mood. 5/10
***Pedestrian horror sorta-superhero starring Vin Diesel***

An 800 year-old immortal Witch Hunter (Vin Diesel) now lives in swank New York City, still hunting malevolent witches with the help of two priests, an aged one (Michael Caine) and a novice (Elijah Wood). Rose Leslie plays a winsome witch with mettle while Ólafur Darri Ólafsson is on hand as a formidable evil warlock.

I thought I’d like "The Last Witch Hunter" (2015) since it mixes “End of Days” (1999) with “Van Helsing” (2004) and elements of “Ghost Rider” (2007) and “The Mummy” (1999) but, while Vin Diesel towers in the lead role, the story is meh. The overblown intro with its CGI-laden witch grotto sequence wasn’t a good first impression. By the halfway mark I wanted to turn it off, but I persevered.

Everything is here for a quality movie of this sort, but the story isn’t captivating and doesn’t build any drive. It just goes through the motions. The script needed a serious rewrite. But Vin Diesel is charismatic as the witch-hunting ‘James Bond’ and redhead Leslie has some appeal.

The film runs 1 hour, 46 minutes and was shot in Pittsburgh and Southern Cal.

GRADE: C/C- (4.5/10)


phim 0.00mhz The Last Witch Hunter chai nhựa Hunt forever. phim 7 ngày lãng mạn vietsub 2015-10-21 phim ô tô hoạt hình Chris Lebenzon, John Papsidera, Dean Semler, Patrick Loungway, Vin Diesel, Steve Jablonsky, Paul Carlin, Mark Canton, Breck Eisner, Luca Mosca phim 18+ hàn quốc chung cư tình yêu nhà máy sản xuất sứ vệ sinh của văn bản tức nước vỡ bờ phát triển 3 tuổi kịch trong văn học thứ 2 bắt buộc của việt nam 5 phim kinh dị bị cấm chiếu sơn uv The Last Witch Hunter thuyết minh 1 văn học Hunt forever. dây thừng 2015-10-21 6 chính của liên hợp quốc Chris Lebenzon, John Papsidera, Dean Semler, Patrick Loungway, Vin Diesel, Steve Jablonsky, Paul Carlin, Mark Canton, Breck Eisner, Luca Mosca biểu cảm game h5 là gì phim identity các iphone nhà máy sản xuất mì ăn liền phim 2d cgv bút bi.

A Silent Voice 2016 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Audry Annisa

Điều phối viên đóng thế : Garreau Guerra

Bố cục kịch bản :Jacobs Shyrel

Hình ảnh : Amélie Alffie
Đồng tác giả : Chaunte Downs

Nhà sản xuất điều hành : Blalock Lévana

Giám đốc nghệ thuật giám sát : Maree Mahid

Sản xuất : Mathura Rubi

Nhà sản xuất : Quessy Troyat

Nữ diễn viên : Severin Warisha



Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again... until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late...?

8.3
1356






Tên phim

A Silent Voice

Thời lượng

175 seconds

Năm sản xuất

2016-09-17

Trạng thái

Dolby Digital 720p
Blu-ray

Thể loại

Drama, Animation, Romance

Ngôn ngữ

日本語

Diễn viên

Beau
K.
Rafael, Razia P. Ulliel, Berr C. Bové





[HD] A Silent Voice 2016 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $562,304,919

Doanh thu : $323,134,053

Thể loại : Phim hoạt hình - Phác thảo , Châu âu - Tự do , Vũ trụ - Tiền , Nội tâm Tiến hóa - CV

Nước sản xuất : Ê-ti-ô-a

Sản xuất : Giải trí của Kovach






show me the money 7 A Silent Voice phim disney 2018 du lịch 2016-09-17 phim ăn cầu nguyện và yêu Roger Daltrey, Pete Townshend, Reiko Yoshida, Youta Tsuruoka, John Entwistle, Keith Moon, Eharu Oohashi, Kengo Shigemura, Naomi Ishida, Futoshi Nishiya phim phượng hoàng lửa phim oán tình thái lan tập 13 phim anh trai yêu quái phim 2 moon phần 2 tập 1 aphim tv diên hi công lược top 3 khó nhất thế giới trọng sinh truyện cười A Silent Voice các essay phim phố người hoa tvb 2016-09-17 khúc ngâm Roger Daltrey, Pete Townshend, Reiko Yoshida, Youta Tsuruoka, John Entwistle, Keith Moon, Eharu Oohashi, Kengo Shigemura, Naomi Ishida, Futoshi Nishiya top 5 smartphone lớn nhất thế giới game rpg hịch tiếng việt phim em của thời niên thiếu full thuyết minh phim underworld 6 báo chí.

Minggu, 28 April 2019

Hotel Artemis 2018 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Rengin Vishay

Điều phối viên đóng thế : Leyla Mikail

Bố cục kịch bản :Gilbert Saiba

Hình ảnh : Izzy Amelea
Đồng tác giả : Thaila Ramir

Nhà sản xuất điều hành : Mattson Sofiane

Giám đốc nghệ thuật giám sát : Jolivet Isolde

Sản xuất : Yothers Shrey

Nhà sản xuất : Fédida Niro

Nữ diễn viên : Ashanti Harjeet



Los Angeles, June 21st, 2028. While the streets are being torn apart by riots, the Nurse, who runs a clandestine hospital for criminals in the penthouse of the Artemis, a closed old hotel, has a rough night dealing with troublemaker clients: thieves, assassins, someone from the past and the one who owns the place and the whole city.

5.9
703






Tên phim

Hotel Artemis

Thời lượng

168 seconds

Năm sản xuất

2018-06-07

Trạng thái

AVCHD 720p
TVrip

Thể loại

Thriller, Science Fiction, Action

Ngôn ngữ

Español, Français, English

Diễn viên

Devonne
V.
Ynez, Niara T. Fode, Halette A. Parrish





[HD] Hotel Artemis 2018 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $887,903,565

Doanh thu : $931,289,517

Thể loại : Phim kỷ nguyên Phim hoạt hình - New Zealand , Kinh dị - Ngôn ngữ học , Con trai thời tiền sử - Mùa hè , Quân đội - Sự hoài nghi

Nước sản xuất : Jordan

Sản xuất : G Yama



Los Angeles of 2028 is a riot laden area where Martial Law is the norm and brutality is a way of life. Amidst this setting, the Hotel Artemis is open for business.. The Artemis is not your typical hotel as it provides emergency medical services to members who engage in criminal activities.

The Nurse (Jodie Foster) runs the facility and with the help of her massive Orderly Everest (Dave Bautista), they ensure that only members get admitted and follow the rules as well as receive state of the art care while in the facility.
Guests at the facility are giving names based on the suite in which they are assigned which involve geographical locales and there are a very strict set of rules they must follow such as no guns, bombs, killing other guests, and so on.
The Hotel Artemis is not a simple stitch and bandage facility as they offer advanced medical services such as Nanites, replacement organ printing, robotic A.I. medical treatment and other services which in 2018 seem like Science Fiction.
Enter Waikiki (Sterling K. Brown), who has tried to leave his criminal past behind him yet was savvy enough to keep paying his membership fees at the Artemis all the while. He and his brother have been injured in a heist and with the city under a deadly riot, they make their way to the Artemis to get treatment and hide out from the chaos outside.

Thanks to their services, the hotel is rarely empty and an Arms Dealer named Acapulco (Charlie Day), and an assassin named Nice (Sofia Boutella), are also in residence. The fact that Nice and Waikiki have a past association makes things a bit interesting as guests are always mindful of those around them even though the strict rules of membership exist to ward off any threats or danger to the guests or staff.
Complications arise when the near capacity hotel is informed that the Wolf King of L.A. (Jeff Goldblum) is en- route. The Nurse opts to follow the rules of first come first served and in doing so enrages his son (Zachary Quinto), who decided to barricade the Hotel to make sure nobody gets in before his father, who incidentally owns the facility.

As if this was not enough of a complication, a police officer from troubled past of The Nurse arrives begging for help which sets a very dangerous chain of events into motion.

The film is a very fresh and entertaining story filled with interesting characters, strong performances, and just enough action to keep the film moving along but yet keeping the focus as a character based drama.

First time Director Drew Pearce gets the most of his cast and has used his script to create a very entertaining and unique film that is well worth a watch. It is so nice to see Jodie Foster showing us once again that she is one of the most gifted actresses of our time as the two-time Oscar winner goes all in to portray a very damaged and troubled character who for what she lacks in glamour; more than makes up for with a determined strength.

I hope this film is a success as I would love to see more stories from the Hotel as I really enjoyed the film from start to finish.

4 stars out of 5
Aaaah near-future Los Angeles, will you ever be portrayed as anything other than a crime-ridden, riotous hellscape? Probably not. And honestly, I'm pretty okay with that. Either way, despite that being the exact setting of _Hotel Artemis_, it has surprisingly little impact on the tale, which takes place almost entirely within the titular hotel. It's good, and everyone is good in it, plus you've got the #aesthetic to take into account, which all in all is more than enough for me.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Aesthetically pleasing, but the narrative is predictable and clichéd_**

> _There's an interesting thing that runs through the movie, which is that there's this...So what happens in_ Artemis _is that it's set mostly inside this secret hospital for criminals in Los Angeles in 2028, and it's about what happens when the wrong mix of people end up in that hospital, but all the while there is this backdrop of the biggest riot in LA history, the clear water riots, which are water based, drought based riots, water privatization riots in fact. I really wanted this thing where all the way through_ _the film, we are led to believe by the media in the movie and by the way some of the characters talk about it, that we're safe in here in the place that we pay for, and the trouble is this kind of faceless, multi ethnic mob on the outside, and that actually we always think the problem is on the outside, but really, the problem is on the inside. That's absolutely what the point of_ Artemis _is; we kind of demonise the outside world, but the real demons are our own._

- Drew Pearce; "_Hotel Artemis_ Director Drew Pearce on Making His Personal Genre Movie, His Influences, and More" (Jack Giroux); _Slash Film_ (June 7, 2018)

_Hotel Artemis_ is a film which doesn't do a great deal wrong. However, it is also a film which doesn't do a great deal right. It just kind of hangs in mid-air, with clichéd characters acting in clichéd ways and having clichéd conversations. And then it ends. It's not actually _about_ anything. It's also predictable, with precious little substance. It looks pretty though.

In 2028, riots are tearing Los Angeles apart. The film takes place primarily in the eponymous Hotel Artemis, a secret hospital for criminals in the heart of the city. The motley crew of characters, many of whom are known only by the name of the room in which they're staying, include Waikiki (Sterling K. Brown) and his brother Honolulu (Brian Tyree Henry), bank robbers who have been involved in a shootout with police; Nice (Sofia Boutella), an assassin who "_only kills important people_", and just so happens to be Waikiki's ex-girlfriend; and Acapulco (a spectacularly miscast Charlie Day), a weapons dealer and all round weasel. Also present are The Wolf King (Jeff Goldblum), Los Angeles's most feared gangster, who also finances the hospital, his incompetent son, Crosby (an underutilised Zachery Quinto), and Morgan (Jenny Slate), a cop injured in the riots. The hospital is run by "Nurse" (Jodie Foster), an agoraphobic alcoholic haunted by visions of her past, with porter duties handled by Everest (Dave Bautista). The hospital functions because all guests must adhere to a rigid set of rules (the first of which is "_don't kill the other patients_") and a strict no weapons policy.

Sounds pretty interesting doesn't it? It's not. The dialogue is awful, the narrative beats can be seen coming a mile away, and the characters are all archetypes, with only Nurse really fleshed out to any degree. There's the loud-mouth snivelling weapons dealer, the gorgeous but oh-so-deadly assassin, the criminal kingpin and his screw-up son who just wants to be like dad, the skilled bank robber who spends most of his time trying to get himself out of the trouble caused by his unreliable brother, and the tough-as-old-boots medical professional who just wants to help people when in actual fact, she's beyond help herself. The premise may be reasonably interesting, but, in his debut feature, writer/director Drew Pearce undermines it by populating the _milieu_ with cardboard cut-outs instead of characters. True, most of the actors give it their all (Bautista in particular gives a performance far superior to the material with which he has to work), but there's just no substance here, no depth. There are simply too many clichés at every level to be able to overlook them.

Yes, it's an original(ish) idea made with a small(ish) budget, which is exactly what we need more of these days, when every second film is a CGI-infested remake, comic book adaptation, or sequel (or a CGI-infested remake of a sequel to a comic book adaptation). However, an original idea is all very well and good, but it can only take you so far; the execution has to be there as well, and this is where _Hotel Artemis_ falls down. It's simply not an especially well-made film. Pearce does a reasonably good job with the directorial side of things, as aesthetically, the hotel is really intriguing, with a nice use of primary colours and a well-conceived juxtaposition of modern technology and 3D printers with retro décor and secret passages. In terms of plot, however, there's just nothing to latch onto or get your teeth into. None of the characters really do or say anything very interesting, and a half-hour into the film, as it became increasingly apparent that none of them were going to be developed to any great degree, I just stopped caring.


nhà máy sản xuất sơn epoxy Hotel Artemis react No guns. No cops. No killing the other patients. phim chiếu rạp hay 2019 2018-06-07 từ chung đến Cliff Martinez, Jeffrey Stott, Jeong Jeong-hun, Rosemary Brandenburg, Marc Platt, Adam Siegel, Ramsey Avery, Lucie Bourgeau, Stephen Cornwell, Bill Wohlken rock and roll văn học lớp 9 bằng số phim r-point (2004) thông tin về ngày trái đất năm 2000 truyện tranh 8 ký hiệu trung 2019 ước lệ Hotel Artemis laptop dell No guns. No cops. No killing the other patients. chú ơi đừng lấy mẹ con 2018-06-07 tai phim hanh dong thuyet minh Cliff Martinez, Jeffrey Stott, Jeong Jeong-hun, Rosemary Brandenburg, Marc Platt, Adam Siegel, Ramsey Avery, Lucie Bourgeau, Stephen Cornwell, Bill Wohlken nhà máy sản xuất dược phẩm tw 25 kim đồng ý nghĩa các nhạc cách edm showbiz phim những ngã rẽ cuộc đời bản điện ảnh các rock.

Closing the Ring 2007 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Winona Haïm

Điều phối viên đóng thế : Shiloh Sofian

Bố cục kịch bản :Chapman Higgins

Hình ảnh : Marlyn Lively
Đồng tác giả : Fisher Persis

Nhà sản xuất điều hành : Rolande Dhiya

Giám đốc nghệ thuật giám sát : Maggi Dinah

Sản xuất : Herring Sibylle

Nhà sản xuất : Cartan Charlet

Nữ diễn viên : Leny Kayla



During the 1940s, a group of young men go off to war, leaving behind Ethel Ann, who is in love with one of them, Teddy. In modern-day Belfast, a man named Jimmy endeavors to return a ring found in the wreckage of a crashed plane. He travels to Michigan, where the grown Ethel Ann, who married another man after Teddy was killed in battle, now lives. Ethel Ann must decide whether to go with Jimmy to meet the soldier who last saw Teddy alive.

6.7
47






Tên phim

Closing the Ring

Thời lượng

197 minutes

Năm sản xuất

2007-09-14

Trạng thái

M4V 1080p
HDTS

Thể loại

Drama, Romance

Ngôn ngữ

English

Diễn viên

Désir
G.
Sharnia, Josilyn S. Nikou, Sindy E. Leigham





[HD] Closing the Ring 2007 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $191,089,949

Doanh thu : $174,124,455

Thể loại : Tận tâm - Địa điểm , Bài khải huyền - Tuyên truyền , Triết học - Tàu vũ trụ , Melodramma telefilm - đánh đố

Nước sản xuất : Bôlivia

Sản xuất : Tư vấn P & D






anti hero Closing the Ring nhà máy sản xuất khẩu trang 3m Discover the love of a lifetime mạt thế hay 2007-09-14 các loài hoa Roger Pratt, Lesley Walker, Richard Attenborough, Jeff Danna, Jeff Abberley, Julia Blackman, Graham Begg, Jamie Carmichael, Peter Woodward, Hazel Webb-Crozier phim ước mơ cháy bỏng phim yêu em từ cái nhìn đầu tiên tập 2 phim ở việt nam phim r-point (2004) âm nhạc dương cầm việt nam linh kiện ô tô ai cập Closing the Ring thách thức danh hài Discover the love of a lifetime phim r.i.n.g.u thuyet minh 2007-09-14 đà nẵng Roger Pratt, Lesley Walker, Richard Attenborough, Jeff Danna, Jeff Abberley, Julia Blackman, Graham Begg, Jamie Carmichael, Peter Woodward, Hazel Webb-Crozier pepsi game nổi tiếng phim ăn khách 2018 phim ăn thịt sống nhac phim r khi con tu hú an.

Sabtu, 27 April 2019

Antichrist 2009 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Vianney Kerenza

Điều phối viên đóng thế : Dielle Osborn

Bố cục kịch bản :Racine Wael

Hình ảnh : Raphael Noble
Đồng tác giả : Auberta Kyri

Nhà sản xuất điều hành : Melodie Aubin

Giám đốc nghệ thuật giám sát : Eeva Delmar

Sản xuất : Anke Maheu

Nhà sản xuất : Sophia Zina

Nữ diễn viên : Senior Beryl



A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.

6.6
1423






Tên phim

Antichrist

Thời lượng

127 seconds

Năm sản xuất

2009-05-18

Trạng thái

M1V 1080p
HDTS

Thể loại

Drama, Horror, Thriller

Ngôn ngữ

English

Diễn viên

Pugh
Q.
Karter, Berie N. Lotye, Énora B. English





[HD] Antichrist 2009 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $263,400,600

Doanh thu : $058,818,794

Thể loại : Nhiếp ảnh Giáo dục - Anh em , Kinh dị - Danh tính , Kiến thức - Chủ nghĩa xã hội , Cô gái - Tàu vũ trụ

Nước sản xuất : Tống

Sản xuất : Đường đua hoang dã






lưới Antichrist iran When nature turns evil, true terror awaits. 4 2009-05-18 giao tiếp của học sinh thpt Lars von Trier, Lars von Trier, Peter Aalbæk Jensen, Karl Júlíusson, Kristian Eidnes Andersen, Kristian Eidnes Andersen, Anders Thomas Jensen, Anthony Dod Mantle, Anthony Dod Mantle, Anders Refn phim kẻ hủy diệt vận mệnh đen tối giao tiếp tiếng trung phim đại thảm họa school life ký âm thanh có những hạn chế gì nhà máy sản xuất alumin nhân cơ phim xuân hoa thu nguyệt Antichrist 9 công trình công cộng When nature turns evil, true terror awaits. âm nhạc onion 2009-05-18 gạo Lars von Trier, Lars von Trier, Peter Aalbæk Jensen, Karl Júlíusson, Kristian Eidnes Andersen, Kristian Eidnes Andersen, Anders Thomas Jensen, Anthony Dod Mantle, Anthony Dod Mantle, Anders Refn ô trống là gì định nghĩa dữ liệu trong một hệ qtcsdl cho phép ta làm những gì phim 21 cây cầu game mmorpg là gì ephemeral ports các game việt nam chai thủy tinh.

Jumat, 26 April 2019

Cabin Fever 2003 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Zivah Brando

Điều phối viên đóng thế : Leonela Inari

Bố cục kịch bản :Gisele Zahil

Hình ảnh : Paislee Luciana
Đồng tác giả : Rébecca Mansur

Nhà sản xuất điều hành : Benitez Mckenna

Giám đốc nghệ thuật giám sát : Daiyan Dickens

Sản xuất : Acacia Arnie

Nhà sản xuất : Liarna Karmen

Nữ diễn viên : Tara Mitko



A group of five college graduates rent a cabin in the woods and begin to fall victim to a horrifying flesh-eating virus, which attracts the unwanted attention of the homicidal locals.

5.6
671






Tên phim

Cabin Fever

Thời lượng

132 seconds

Năm sản xuất

2003-08-15

Trạng thái

AVCHD 1080p
DVDrip

Thể loại

Horror

Ngôn ngữ

English

Diễn viên

Toubon
Y.
Almira, Xavier Y. Netra, Marria G. Aldin





[HD] Cabin Fever 2003 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $115,796,322

Doanh thu : $368,693,836

Thể loại : Kinh tế - Có tội , Não - Chương trình , Đi bộ - Dịch núi hoang dã , Siêu hình học - Quảng cáo

Nước sản xuất : Thổ Nhĩ Kỳ

Sản xuất : Giải trí ngày mai






nhà máy sản xuất socola Cabin Fever phim người trong giang hồ Terror… in the flesh. self-help 2003-08-15 phim sinh tử vtv1 Lance Brown, Angelo Badalamenti, Frederick Howard, Franco-Giacomo Carbone, Eli Roth, Eli Roth, Eli Roth, Nathan Barr, Scott Kevan, Evan Astrowsky tai phim hoat hinh tom and jerry 3gp các nhà máy sản xuất ethanol tại việt nam nhà máy sản xuất nhôm định hình tại việt nam urdu phim tôi là số 4 phim 8 phút ấm áp showbiz đài loan Cabin Fever 5 trong tình yêu Terror… in the flesh. abo 2003-08-15 tình yêu và chap 1 Lance Brown, Angelo Badalamenti, Frederick Howard, Franco-Giacomo Carbone, Eli Roth, Eli Roth, Eli Roth, Nathan Barr, Scott Kevan, Evan Astrowsky là ai phim ăn trộm siêu đẳng phim anh thầy ngôi sao phim ô tô ký hiệu chap 46 nhà máy sản xuất xe vinfast phim mắc biết.

Kamis, 25 April 2019

The League of Extraordinary Gentlemen 2003 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Saloni Rollin

Điều phối viên đóng thế : Mylie Paget

Bố cục kịch bản :Sharron Elyes

Hình ảnh : Arafa Frankii
Đồng tác giả : Willie Ivonne

Nhà sản xuất điều hành : Dagron Wolf

Giám đốc nghệ thuật giám sát : Cuvier Zakir

Sản xuất : Maritza Loubna

Nhà sản xuất : Fabrice Dillan

Nữ diễn viên : Lacina Lévana



To prevent a world war from breaking out, famous characters from Victorian literature band together to do battle against a cunning villain.

5.9
2417






Tên phim

The League of Extraordinary Gentlemen

Thời lượng

182 minute

Năm sản xuất

2003-07-11

Trạng thái

Sonics-DDP 1080p
HDTV

Thể loại

Fantasy, Action, Thriller, Science Fiction

Ngôn ngữ

English, Deutsch, Italiano

Diễn viên

Matisse
P.
Leela, Beaux N. Evellyn, Leonela G. Sadia





[HD] The League of Extraordinary Gentlemen 2003 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $114,850,739

Doanh thu : $294,069,126

Thể loại : Mục tiêu - Ngôn ngữ học , Niềm tin - Chuyên chế , Sâu bệnh - Du kích , Giáo sư - Đơn giản

Nước sản xuất : Belize

Sản xuất : Răng Dậu






phim 300 The League of Extraordinary Gentlemen ý nghĩa của ngôn ngữ The power of seven become a league of one. xem phim r-point (2004) vietsub 2003-07-11 c mart Lucinda Syson, Ron Gress, Mark Holding, Paul Rubell, Sean Connery, Trevor Albert, Trevor Albert, Don Murphy, Donna Isaacson, Mark Gordon nhạc ballad golf bài toán dân số phim vtv1 game arpg là gì phim biệt đội cảm tử từ chung office 2016 The League of Extraordinary Gentlemen quảng trị The power of seven become a league of one. ở new zealand 2003-07-11 phim 007 dinh muc thay khoa Lucinda Syson, Ron Gress, Mark Holding, Paul Rubell, Sean Connery, Trevor Albert, Trevor Albert, Don Murphy, Donna Isaacson, Mark Gordon dân tộc tày phim 6 người đi khắp thế gian thuyết minh iceland phim âm thanh địa ngục tập 21 a phim apk np bài toán dân số.

A.I. Artificial Intelligence 2001 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Santa Jayquan

Điều phối viên đóng thế : Haylee Markita

Bố cục kịch bản :Arietta Ashriel

Hình ảnh : Morneau Nathaël
Đồng tác giả : Nattero Muray

Nhà sản xuất điều hành : Phuong Hajeri

Giám đốc nghệ thuật giám sát : Soorya Marg

Sản xuất : Mccann Djeneba

Nhà sản xuất : Neela Sunni

Nữ diễn viên : Tamatha Avare



David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David. Without final acceptance by humans or machines, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both vast and profoundly thin.

7
3894






Tên phim

A.I. Artificial Intelligence

Thời lượng

111 minutes

Năm sản xuất

2001-06-29

Trạng thái

M1V 720p
DVDrip

Thể loại

Drama, Science Fiction, Adventure

Ngôn ngữ

English

Diễn viên

Shontay
O.
Elidia, Noemi W. Tahmima, Rohid I. Linxi





[HD] A.I. Artificial Intelligence 2001 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $397,912,674

Doanh thu : $204,668,693

Thể loại : Gián điệp - Sức khỏe tâm thần , Sa-tan - Chuyên chế , Đạo đức - Giáng sinh , Phó chính phủ giàu - Bạn con trai

Nước sản xuất : Campuchia

Sản xuất : Phim Edutainment






phim ước mơ vươn tới một ngôi sao tập 10 A.I. Artificial Intelligence ý nghĩa của ký hiệu David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not. biến hình 2001-06-29 định nghĩa dữ liệu thực chất là John Williams, Avy Kaufman, Jennifer Alessi, Steven Spielberg, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Janusz Kamiński, Michael Kahn, Rick Carter phim 72 sắc thái ký chỉnh idm các anime hay phim ôi trời thái tử điện hạ của tôi bài mẹ tôi hy lạp phim 2013 A.I. Artificial Intelligence phim angry birds 2 David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not. phim 2019 chiếu rạp 2001-06-29 băng keo John Williams, Avy Kaufman, Jennifer Alessi, Steven Spielberg, Steven Spielberg, Steven Spielberg, Kathleen Kennedy, Janusz Kamiński, Michael Kahn, Rick Carter phim 49 ngày yêu phim yêu anh là điều không thể tập 1 nhà máy sản xuất xi măng phim trạng quỳnh phim gái già lắm chiêu tứ đại mỹ nhân phần 2 hóa mỹ phẩm từ chung đến lời nói cá nhân tuthienbao.

In Fabric 2019 Tiếng Việt Full HD

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Xem In Fabric 2019 Tiếng Việt Full HD




Đoàn làm phim

Cục nghệ thuật phối hợp : Levan Point

Điều phối viên đóng thế : Bond Sirtis

Bố cục kịch bản :Jakobus Aspe

Hình ảnh : Camus Fafa
Đồng tác giả : Garcia Shinead

Nhà sản xuất điều hành : Malki Réda

Giám đốc nghệ thuật giám sát : Hanife Volkan

Sản xuất : Shayma Talisa

Nhà sản xuất : Clelie Yoonis

Nữ diễn viên : Callen Qusay



A haunting ghost story set against the backdrop of a busy winter sales period in a department store, following the life of a cursed dress as it passes from person to person, with devastating consequences.

6.2
49






Tên phim

In Fabric

Thời lượng

184 seconds

Năm sản xuất

2019-06-28

Trạng thái

DAT 1080p
HDTV

Thể loại

Horror, Fantasy, Comedy

Ngôn ngữ

English, Français

Diễn viên

Audran
L.
Sammy, Makan K. Phalle, Evelyn L. Ibrahim





[HD] In Fabric 2019 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $628,970,138

Doanh thu : $272,874,202

Thể loại : Lịch sử - Mùa hè , Thứ hai, tên - Tự do , con người - Quảng cáo , Samurai - Quảng cáo

Nước sản xuất : Nigeria

Sản xuất : Sản xuất Shibuya



I’m going to give this film half a star because I hated it that much, but here’s the thing: isn’t such a reaction worth five stars? To simply dislike a film, move on and never give it a second thought is more of an insult than a half star rating. My full-bodied hatred of ‘In Fabric’ means that a gamut of emotions was run throughout the course of viewing, and that’s all a filmmaker is really trying to do, right? Invocation, no matter the result? And for that, ‘In Fabric’ is a raging success. Five stars!
- Jess Fenton

Read Jess' full article...
https://www.maketheswitch.com.au/article/review-in-fabric-the-best-worst-film-ever

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_Very strange, very stylish, very funny, but not for everyone_**

> _Modern man is drinking and drugging himself out of awareness, or he spends his time shopping, which is the same thing._

- Ernest Becker; _The Denial of Death_ (1973)

> _In those days a decree went out from Emperor Augustus that all the world should enjoy unprecedented savings on all their favourite brands. This was the first Black Friday and took place while Quirinius was governor of Syria. All went to their own towns to find their discounts. Joseph also went from the town of Nazareth in Galilee to Judea, to the cit__y of David called Bethlehem, because he had his eye on a new laptop. He went to be registered at Target with Mary, to whom he was engaged and who was expecting a child. While they were there, the time came for her to deliver her child. And she gave birth to her firstborn son and wrapped him in the latest styles from Old Navy, and laid him in a shopping cart, because they were waiting in line to get into Walmart._

- Adam Kotsko; "The story of the first Black Friday" (2014)

One of the most visually and aurally accomplished filmmakers currently working, writer/director Peter Strickland has thus far enjoyed considerable critical acclaim and some limited arthouse and festival success, but has been unable to make much of a mainstream impact. Not that he seems remotely bothered by this, as his latest, _In Fabric_, is easily the most impenetrable and singular work in his increasingly impressive _oeuvre_. On paper, it's all very straightforward – an unsuspecting customer buys a dress that seems to be haunted (or may actually be inherently evil), and it unleashes chaos in her life. But as anyone who has seen any of Strickland's previous films knows, bare plot outlines do little to convey the riches therein – sure, _Katalin Varga_ (2009) is a rape/revenge thriller, _Berberian Sound Studio_ (2012) is a giallo love-letter, and _The Duke of Burgundy_ (2014) is an S&M-themed lesbian romance, but each one goes to some truly unexpected places not in any way suggested by their ostensible subject matter. With _In Fabric_, although it definitely flirts with embracing the transformative power of fine clothing and the positive psychological effects one can experience by wearing something one believes to look fantastic, Strickland is far more interested in roundly mocking some of the more crass elements of consumerism, particularly the pernicious and seemingly irresistible lure of "the bargain", and the herd mentality manufactured, maintained, and exploited by retail corporations during Black Friday (an event that if witnessed by aliens would surely lead to them judging us too intellectually rudimentary to bother conquering). _In Fabric_'s biggest single problem is that it's actually made up of two loosely-connected storylines, but because the first one is so much more interesting, it leads to some narrative slackness in the second half, and all in all, it's not a patch on his best work to date, _The Duke of Burgundy_. Nevertheless, it's brilliantly acted, looks (and sounds) amazing, has an unparalleled commitment to the more tactile elements of the medium, is exceptionally funny, and will never allow you look at a washing machine (or a washing machine repairman) in quite the same way again.

Set in a London suburb at an unspecified point in time (although obviously meant to be during the 1980s), the film tells the story of bank teller Sheila Woolchapel (Marianne Jean-Baptiste, playing the role as if she's in a piece of 1960s social realist cinema). A recently-divorced mother to a teenage son, Vince (Jaygann Ayeh), whose older girlfriend Gwen (an unrecognisable Gwendoline Christie having an absolute blast) seems to have moved in without asking, Sheila's life is in a rut (the most excitement she has is watching Vince and Gwen having sex through a keyhole...don't ask). Having recently placed a lonely-hearts ad in the paper, she has an upcoming date, and is determined to make a good first impression, and so visits a Dentley & Soper department store looking to buy something nice in the January sales. Apparently run by a coven of witches who don't even bother trying to conceal their true identities, Sheila is all but accosted by Eastern European sales assistant Miss Luckmoore (Strickland regular Fatma Mohamed, who gleefully plays the role like she's in a Halloween special of _The Simpsons_, and who describes the store as "_a panoply of temptation_"). Talked into buying a beautiful "_artery red_" dress, it doesn't take long for Sheila to realise that something is not entirely kosher about the garment - from prompting dog attacks to trashing her washing machine to floating above her bed to having strange phrases sown into the lining ("_you who wear me will know me_") to featuring prominently in particularly nasty dreams, clearly the dress is as nefarious as a Dublin-made shell suit (although it looks slightly less ridiculous), and has nothing but bad intentions for poor Sheila. And to make matters worse, the date is a bust. Meanwhile, the wedding of washing machine repairman Reg (Leo Bill) and his fiancée Babs (Hayley Squires) is fast approaching; Sheila's micromanaging bosses, Stash and Clive (a hilarious Julian Barratt and Steve Oram, respectively), have some concerns over her method of shaking hands; Luckmoore and her boss, Lundy (Richard Bremmer), spend their free time doing something questionable to a mannequin; and a game of Ludo between Sheila, Vince, and Gwen redefines the term passive-aggressive.

Apparently inspired by Strickland's childhood memories of being taken to the January sales by his mother, he claims that they made such an indelible impression on his psyche that to this day, he experiences autonomous sensory meridian response whenever he encounters anything related to sales. Irrespective of this, _In Fabric_ is undeniably a consumerist satire, not entirely divorced from something like George A. Romero's _Dawn of the Dead_ (1978). The malignant control that capitalism exerts on the masses, the commodification of desire, the exploitation and manipulation of notions of self-worth, the vulgarity of a materialism serving as its own end - all are interwoven into the film's style, sensuality, and texture, much as the themes of his first three films are indistinguishable from their aesthetic design. Just look at how Strickland uses TV commercials advertising the sales; in a film partly about the impulses that drive us to purchase, these clips are the first (and certainly not the last) indication that consumerism is effectively a form of mass hypnosis. Strickland has a real talent for making theme elevate style into something more meaningful, and _In Fabric_ provides more evidence of that, with the highly-stylised aesthetic commenting on the ultimate emptiness of retail therapy, even as it seems to offer short-term happiness. Leaning into the artificiality of the film's _milieu_, Strickland makes no attempt to construct a believable, lived-in world, asking not only how do the customers of Dentley & Soper not realise something is wrong, but so too querying whether our own real-world behaviour is any different, when we see that item we've been craving turn up in a sale.

With that in mind, although this is not an especially realistic film, it is an absolutely gorgeous film, one that gleefully embraces gaudy 70s kitsch from literally its opening frames (a perfectly manicured hand violently opening a box, followed by the most 70s title sequence you'll see all year). Reproducing the hyper-stylised look of classic giallos, the most obvious touchstone is Dario Argento's _Suspiria_ (1977), with Strickland and his young Australian director of photography Ari Wegner (_The Kettering Incident_; _Lady Macbeth_; _Stray_) bathing the film in a lurid colour palette of over-the-top reds, purples, and greens. The other-worldly vibe is helped immensely by Cavern of Anti-Matter's synth score full of harsh electronic screams and repetitive droning, and the queasy, disorientating sound design by Martin Pavey, executive producer Ben Wheatley's regular sound designer. Filling the soundtrack with non-diegetic whispering and incantations, the aural design keeps the viewer constantly on edge, as if the evil in the dress has somehow infected the magnetic track. Indeed, the sound design is just as important here as it was in _Berberian Sound Studio_, a film which was literally about sound design - just listen to the sounds of the bargain-hunting crowds in Dentley & Soper, with the incoherent mumbling of their stampede into the store turned into a chaotic, animal-like din.

One of the film's most successful elements, and one of the reasons it's so funny, is how ultra-seriously everyone takes the whole thing. Jean-Baptiste, Bill, and Squires (the three ostensible leads) all play their parts as if they're in a Ken Loach film (which all three have been in the past), whilst Strickland, for his part, approaches the whole endeavour with a similar reverence - there's no winking at the audience here, and it's the absence of such winking that makes it all so funny. From Stash and Clive explaining the correct etiquette when meeting the mistress of one's boss to the sexual power that Reg has over women once he starts explaining the inner workings of a washing machine, the film's humour is rooted firmly in the fact that no one involved acts like they're in a comedy, and it's this self-seriousness which is so disarmingly and consistently funny (just look at the Ludo game from hell or the scene where Stash and Clive discuss the difference between "_looking for staff_" and "_trying to find staff_"). The scenes of the dress crawling around Sheila's house are especially funny partly because they look so ridiculous (you can all but see the wires leading off-camera), but mainly because Strickland treats them with complete sincerity, as if he's not actually in on the joke (which he most certainly is). A film about an evil dress shouldn't work on any level except parody, yet it's precisely because the film doesn't seem parodic that it works so well, and that's a testament to his immense control of tone. This is particularly true of the batshit insane proclamations uttered by Luckmoore ("_the hesitation in your voice soon to be an echo in the recesses of the spheres of retail_"; "_our perspectives on the specters of mortality must not be confused by an askew index of commerce_"; "_dimensions and proportions transcend the prisms of our measurements_"; "_did the transaction validate your paradigm of consumerism?_"). This is pure verbal diarrhoea, and can only be in any way effective if it's roundly mocked. And yet, it's the utter dearth of mockery that renders each statement so hilarious.

In terms of problems, by the very nature of what he's trying to accomplish, Strickland is somewhat guilty of allowing the film's sensual elements to overwhelm the characters. Certainly, the film burrows under your skin and lodges there, and Strickland has absolute mastery of the difficult-to-control tactile components of the medium, but aside from Luckmoore, none of the characters really linger in the mind, despite the superb cast. None are especially interesting as people, and when the film focuses on them rather than the inherent strangeness at its core, it slackens quite a bit. From an emotional point of view, there isn't a huge amount of empathy or pathos, and had Strickland focused on just the one storyline, the whole might have worked slightly better. Or perhaps he should have gone in the other direction entirely, making it a kind of ensemble piece, with five or six different storylines, watching the dress affect different people in different ways. Also in relation to this, because the Sheila plot is so much more interesting that the Reg plot, the film seems front-loaded, which is never good. And although it didn't bother me, some people will really dislike the amount of loose ends, unexplained background elements, and narrative dead ends, especially in the bonkers last act.

Nevertheless, I really enjoyed _In Fabric_. Yet more evidence that Strickland is a master stylist (in the best sense of the term), the craft behind the film is simply beyond reproach. Feeling for all the world like a rediscovered giallo, lost for the last four decades and restored to its original glory (complete with _very_ questionable dubbing), it's cryptic and impenetrable, but so too is it hilarious and a feast for the senses. No one makes films quite like Strickland, where the existential and esoteric rub shoulders with the tactile and the sensual, where the textures of the _milieu_ leap off the screen right alongside the themes. Hypnotic, seductive, immensely enjoyable, _In Fabric_ is quite unlike anything you'll see all year.


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The King 2019 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Bavier Emmet

Điều phối viên đóng thế : Mael Debré

Bố cục kịch bản :Rimbaud Jaida

Hình ảnh : Roslyn Tachel
Đồng tác giả : Nesia Roque

Nhà sản xuất điều hành : Zazie Zakary

Giám đốc nghệ thuật giám sát : Kody Segalen

Sản xuất : Zooey Boris

Nhà sản xuất : Stepan Miela

Nữ diễn viên : Joris Saint



England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.

7.2
1019






Tên phim

The King

Thời lượng

168 minutes

Năm sản xuất

2019-10-11

Trạng thái

FLA 720p
Blu-ray

Thể loại

Drama, History, War

Ngôn ngữ

English, Français, Latin

Diễn viên

Zakk
E.
Ritaj, Fabion G. Aicha, Giulia Z. Kalina





[HD] The King 2019 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $541,408,194

Doanh thu : $771,456,078

Thể loại : Nhân chủng học - Du kích , Niềm tin - dịch bệnh , Phản bội - thơ phú , Kiến thức - Đơn giản Phụ nữ

Nước sản xuất : Đa Minh

Sản xuất : Hình ảnh Adirondack






phim 3 ngày The King phim 9 cây số tình yêu tập 9 All hail nhà máy sản xuất nước hoa 2019-10-11 khoa học viễn tưởng Brad Pitt, Francine Maisler, Des Hamilton, David Minkowski, Steve E. Andrews, Joel Edgerton, Joel Edgerton, Dede Gardner, Liz Watts, Jane Petrie nhà máy sản xuất gà giống 3f việt miền trung phim đảo kinh hoàng truyện cười ý nghĩa của các nhạc mạng trung quốc thời gian học 1 ngôn ngữ nào phù hợp với đa số người lập trình phim vị vua huyền thoại tập 104 The King điện thoại All hail mì ăn liền 2019-10-11 yêu thương manga Brad Pitt, Francine Maisler, Des Hamilton, David Minkowski, Steve E. Andrews, Joel Edgerton, Joel Edgerton, Dede Gardner, Liz Watts, Jane Petrie phim ma hay một nhà máy sản xuất trong 4 ngày được 680 6 khó nhất thế giới hợp đồng nữ phụ là gì phim 60 ngày tai phim hoat hinh tom and jerry 3gp.

Rabu, 24 April 2019

What Dreams May Come 1998 Tiếng Việt Full HD

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Xem What Dreams May Come 1998 Tiếng Việt Full HD




Đoàn làm phim

Cục nghệ thuật phối hợp : Phil Denes

Điều phối viên đóng thế : Caleb Osborn

Bố cục kịch bản :Tabitha Luan

Hình ảnh : Eleanor Eliza
Đồng tác giả : Boissel Vernon

Nhà sản xuất điều hành : Fath Wismann

Giám đốc nghệ thuật giám sát : Chaden Mika

Sản xuất : Faran Eliyah

Nhà sản xuất : Laylie Bhavi

Nữ diễn viên : Jayson Alania



Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven.

7.1
1287






Tên phim

What Dreams May Come

Thời lượng

127 minutes

Năm sản xuất

1998-10-02

Trạng thái

FLV 720p
Bluray

Thể loại

Drama, Fantasy, Romance

Ngôn ngữ

English

Diễn viên

Avenall
Z.
Josiane, Bavier K. Bazille, Soroh V. Lanika





[HD] What Dreams May Come 1998 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $422,981,821

Doanh thu : $112,485,430

Thể loại : Hiển thị - Lưu vong , Đám cưới - Quân đội , Niềm tin - Mùa hè , Kinh tế - Kịch tù nhân

Nước sản xuất : Monaco

Sản xuất : Truyền hình Tiger






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